Killer Cosmetics. Ted Noten Creates Feminine Firearms As Makeup Kits.

Amsterdam-based Atelier Ted Noten (known for his unique jewelry designs) has designed the white 'Dior 001' gun and the black 'Chanel 001' gun as part of a larger series entitled '7 necessities for a woman to feel like a woman through the eyes of a man.'



Branded as Dior 001 and Chanel 001, the white and black pistols pack a feminine punch as they double as make-up bags. The two 3D printed nylon guns are vehicles of finding a new language between the 3D printing technique and traditional goldsmithing.



The feminine firearms are retrofitted with hand-tooled 18-karat gold details and loaded with cosmetic ammo. There’s a lip gloss and wand in the muzzle, the loading chamber doubles as a pill compartment (complete with pills, including Viagra), 100 grams of certified silver bullion in the Dior gun clip, 50 grams of 24-karat gold in the Chanel, a toothpick and, in some models, a hairpin and a small vial of perfume. The guns also conceal a 4-gigabyte jump drive.



Dior 001





















CHANEL 001:











“Seven Necessities” debuted at Amsterdam's Gallery Rob Koudijs and was exhibited at Art Basel by the Ornamentum Gallery of Hudson, N.Y.







If you purchase one of the make-up kits, Noten’s Atelier can customize it and arrange refills. The white Dior gun costs 8,000 euros, (about $11,500 USD) and The black Chanel gun costs over $17,000. That's a pretty penny for any pistol packing mamma.





ATELIER TED NOTEN

Kanaalstraat 149a 1054

XD Amsterdam, NL +31(0)206895517

Ready, Aim..... Walk. The Gun Leash.

Povodokus, the retractable gun dog lead -or leash as people often call them, is a design concept from the clever and conceptual folks at Russian design studio, Art Lebedev.



The lead goes out freely as the dog pulls and reels in when you pull the trigger.


The Design Process

First sketches:

Too much details for a leash. Simplifying:

Less blasters, more real life:

Choosing their top gun and preparing the model:

Shooting photos for the website:

all images courtesy of Art Lebedev

Shoot, That's Fun. The Bullet Hole Art Of Walt Creel.

above image courtesy of The Birmingham News

Walt Creel of Birmingham, Alabama uses a deadly weapon, ironically, to create images of sweet Southern wildlife. Brandishing a rifle, he fires .22 caliber bullets through 4' x 6' white painted aluminum panels to form images of a deer, an owl, a rabbit, a possum, a squirrel and bird in his project, De-Weaponizing The Gun.


detail of Rabbit:


The pointillist-like art is as interesting to admire up close as it is from afar, and is the artist's attempt at taking away the destructive power of the gun.

Squirrel:

The finished image of Squirrel [above] and creating the piece [below].

Deer:

Close -up of deer:

Bird:

Possum:

Rabbit:

Owl:


DEWEAPONIZING THE GUN by Walton Creel

In the artist's own words:
The terms gun and weapon are practically interchangeable. From hunting to war, self defense to target practice, the gun has been a symbol of power and destruction. Art and entertainment have both taken the same approach to he gun. Traveling Wild West shows had gunslingers that shot crude silhouettes and names, but this was done to illustrate the shooters prowess. Some artists have used high speed film to capture a bullet slicing through its target, while other artists have melted guns into sculptures.



When I decided I wanted to make art using a gun, I was not sure what direction I would have to take. I knew I did not want to use it simply as an accent to work I was doing, but as the focus. My main goal was to take the destructive power away from the gun. To manipulate the gun into a tool of creation and use it in a way that removed it from its original purpose, to deweaponize it.



During my first experiment I came across the concept of creating an image hole by hole on a surface. I also figured out that canvas would be too stressed by the process of a rifle firing many bullets into it.

A test firing of the bullets into canvas:


I moved on to aluminum and, with further experimentation, I figured out exactly how far apart my shots needed to be and that moving beyond .22 caliber was simply too destructive. When the aluminum was painted beforehand, the blast of the gun knocked off a tiny amount of paint around each hole, which helped fuse the image together.



images courtesy of the artist and the Coleman Center For The Arts,

Deweaponizing the Gun is an ongoing series presented in installments.