iSad.

May the man who changed the world forever Rest In Peace.

The Sexist Lingerie Ads with Gisele Bundchen that Brazil Wants to Ban.

Is breaking bad news to your significant other easier when you're sporting sexy lingerie? That's the message behind Brazilian lingerie brand HOPE's campaign - urging women to use 'their natural charms' when delivering less than appealing information to their husbands. Are men really that easy? If you look like Gisele, I bet they are.



The land of waxed coochies and sexy supermodels is considering a ban on the ad campaign (whose three spots are shown below).

Brazil's Ministry for Women called Wednesday for the suspension of a television ad campaign featuring lingerie-clad supermodel Gisele Bundchen, saying it reinforces the stereotype of women as sex objects.



The agency said in a statement it was asking the state council on advertising to halt the use of the ads with Bundchen, the Brazilian native who is believed to be the world's highest paid model.



The ads "reinforces an erroneous stereotype of women as sex objects and ignores the progress made in ending sexist practices. It also represents discrimination against women," the ministry said in a statement.



In the ads for the Brazilian intimate wear brand Hope,"Bundchen is clad in panties, a bra and high heels, in an effort to distract her husband when she delivers bad news -- about damaging the car, exceeding her credit limit, and her mother coming to live with them.

The TV ads send a message "that sensuality can melt any man" and "encourages Brazilian women to use their charms... to minimize the reactions of their husbands," the ministry said.

The ministry managed to ban a beer ad in 2010 featuring US model Paris Hilton in suggestive poses.

Copyright © 2011 AFP. All rights reserved.

UPDATED: A Look At the 9/11 Memorial, Museum and Monument Designs at Ground Zero.

above: aerial view rendering of the 9/11 Memorial

above: one of the two 9/11 Memorial bronze name-etched reflecting pools in the foreground and the 9/11 Museum Pavilion entry in the background

Today, on the 10th anniversary of the tragic terrorist attacks on the World Trade Centers' twin towers and the Pentagon, there will be several memorials taking place as we honor the victims with moments of silence and reflection.

Below, President Obama, President Bush and their wives visit the Reflections of Absence this morning:


above photo by Robert Deutsch-Pool/Getty Images

The 9/11 Memorial will be dedicated on September 11, 2011 (today) in a special ceremony for victims’ families. Therefore, it is fitting that today I share with you photos, renderings, images and information about the 9/11 Memorial; its monuments, plaza and museum at the site of Ground Zero.


above photo by Chip Somodevilla/Getty Images

above photo AFP PHOTO/POOL/Justin Lane


Reflecting Absence



above: Water Falls in the Memorial North Pool (Photo by Joe Woolhead)

The 9/11 Memorial by Michael Arad (formally named "Reflecting Absence") is located at the site of the former World Trade Center complex, and occupies approximately half of the 16-acre site. The memorial features two enormous waterfalls and reflecting pools, each about an acre in size, set within the footprints of the original twin towers.



above: an aerial renderings of 9/11 Memorial Plaza and site


above: a cross-section of the Memorial Plaza and the Museum Pavilion and interior

above and below: rendering of the Bronze Names Parapets




above: a birdseye view of the 911 Memorial Monuments at night

The 2,983 names
The 2,983 names of the men, women, and children killed in the attacks of September 11, 2001 and February 26, 1993, are inscribed into bronze parapets surrounding the twin Memorial pools, located in the footprints of the Twin Towers.



Every name has a code containing N for North Pool or S for South Pool, followed by a panel number that locates it on one of the Memorial Pools.



Names are placed within nine primary groups.


Around the North Pool:
World Trade Center North
Flight 11
February 26, 1993

Around the South Pool:
World Trade Center South
First Responders
Flight 175
Pentagon
Flight 77
Flight 93

Requested adjacencies within these groups:
Names are arranged by affiliation, so that the employees of a company or the crew of a flight are together. The next-of-kin of the victims and surviving colleagues made additional requests for specific names to be inscribed next to one another. Some requests were between relatives and friends; others were between people who had just met, but who responded together as events unfolded.



This design allows the names of family, friends, and colleagues to be together, as they lived and died. The requested adjacencies reflected on the Memorial make it unique from any other in existence.


above: rendering of interior of the Memorial Hall, a view of the reflecting pools from beneath

You can search for a name on the memorial here.

Memorial Plaza by Peter Walker and Partners

above: With its grove of trees, the Memorial’s plaza is an actual green roof for the structure housing the 9/11 Memorial Museum (May 2011, Photo by Joe Woolhead).

The landscape architecture of Memorial Plaza was designed by Peter Walker and Partners of Berkeley, CA. and is one of the most sustainable, green plazas ever constructed. Its irrigation, storm water and pest management systems will conserve energy, water and other resources.



above: renderings of the 9/11 Museum Plaza

Rainwater will be collected in storage tanks below the plaza surface. A majority of the daily and monthly irrigation requirements will be met by the harvested water.


above: The Survivor Tree Blooms on the Memorial Site (Photo by Amy Dreher)

The Memorial Museum and Entry Pavilion
The Museum’s entry pavilion was designed by the Norwegian architecture firm, Snøhetta and the underground museum exhibit space by Aedas, Museum architects.

The Mission of the Memorial Museum, located at the World Trade Center site, is to bear solemn witness to the terrorist attacks of September 11, 2001 and February 26, 1993.


above: a birdseye rendering of the Museum’s entry pavilion

Visitors to the Memorial Museum will be presented with a sequence of experiences which allow for individual and personal encounters within an overall context of a historical narrative.


above: a rendering of the Museum’s entry pavilion

The nature of the Museum is such that the shell of the space, comprising existing foundations, the slurry wall and other in-situ elements of the site is as much an artifact of 9/11 as the contents of the exhibitions.


above: a rendering of the Museum atrium with Twin Tower "tridents."

Visitors will enter through a pavilion that houses an auditorium for public programming, a multi-purpose area for contemplation and refreshment and a private suite reserved for victims’ family members. Two of the original steel tridents from the Twin Towers will be enclosed within the pavilion’s grand glass atrium, standing as references to the past, while signaling hope for the future.


above: rendering of Memorial Exhibition in the heart of the museum site

Memorial Design Exhibition
The introductory exhibit leads to a gently ramped “ribbon,” toward the core exhibitions at bedrock, the archeological heart of the World Trade Center site.


above: rendering of the interior of the Museum

This descent echoes the ramp that once was used by construction workers to help build the World Trade Center and was again used in the aftermath of the attacks for the recovery and clean-up of the site and by victims’ family members to access bedrock on anniversaries of 9/11.


above: rendering of interactive tables and artifact cases

From the ramp, vistas will be created, providing a sense of the vastness of the site and the scale of the original Towers. Visitors will be able to stand between the locations of the original Twin Towers and experience their scale, which will be referenced by two metal-clad, ethereal volumes. The ramp that will bring visitors to the core Museum exhibitions has already been framed in steel and concrete.


above: rendering of space for remembrances

above: interactive tables and Wall of Faces

The final descent to the base of the site will take visitors alongside the Vesey Street Stair remnant – also known as the “Survivor Stairs,” which was used by hundreds to escape the destruction of the Towers on 9/11.


above: The "Survivor's Staircase" before being moved to the museum



After today's dedication ceremony the 9/11 Memorial will be open to the general public.

This post is in sincere remembrance of those lost in this tragedy. May they rest in peace.

More information can be found here.

some images courtesy of the LMCD and many of the computer renderings in this post were created by Squared Design Lab

A Permanent Reminder Of What Plagues The Planet: The Social Tattoo Project.

Let me say, right off the bat, that this doesn't sound like a very good idea to me. But then again, I'm not a tattoo-type of girl. Permanently inking the world's problems on one's body seems akin to tattooing a loved one's name on your body. Things might change... and what seems relevant or important today could very well be obsolete in a decade or so. But kudos to the courageous volunteers who are lending their body as a canvas to advertise their social awareness.









That said, the Social Tattoo Project is a quest to make empathy permanent by taking today's world problems, such as the recent tragedy in Norway, the earthquake in Haiti or Human Trafficking and emblazing them on your skin. The twist is that those who volunteer to be part of the Social Tattoo Project let Twitterers decide what the actual subject will be.







For each tattoo, they will post 4 trending topics on Twitter, and the most tweeted trend will be the subject of the tattoo. To vote, tweet #socialtattoo and your #favorite trend of the 4 to @social_tattoo. With your vote and their volunteers’ skin, they can make what the world empathizes with today, what you have to care about forever.



Mary gets a #Japan tatt:



Ulises gets a #Norway tatt:





A brave volunteer receives a #Haiti tattoo:







And another, a #Human Trafficking tattoo:







Learn more about the Social Tattoo Project

UPDATED AGAIN*: Kate Goes With Sarah Burton For Alexander McQueen With Cartier Tiara & Matching Earrings.

*UPDATED PICS now include the cakes, the reception dresses, the ugliest hat and more.

The dress was by Sarah Burton for Alexander McQueen. She donned the Cartier “halo” tiara, which was made in 1936 and given to the Queen as an 18th birthday present. And she's got the wave down cold.



Her earrings were custom-made by Robinson Pelham to match her tiara and were a present from her parents. Kate's wedding ring, which seemed to have given William a bit of difficulty in the slipping on, is a band of Welsh gold by Wartski.

The Cartier "halo" tiara:

As previously worn by the monarchy members before her:


The earrings made to match the tiara by Robinson Pelham:


No doubt, Kate Middleton, now being referred to as "Catherine," looked every bit like Royalty as she walked down the aisle.





People keep comparing Kate's dress to that of Princess Grace's, but they really were quite different except for the lace long sleeves:







above: Her bouquet consisted of myrtle, lily-of-the-valley, sweet William and hyacinth.















And, of course, the kiss:



Ladies and gentlemen, presenting the Duke and Duchess of Cambridge:

And they drove off in an Aston Martin:

The Cake, made by Leicestershire-based cake designer Fiona Cairns :


the chocolate McVitrine's cake for the recption:


The Sarah Burton for Alexader McQueen reception dress for Kate:

and sister Pippa's reception dress:


I would be remiss if I did not include a photo of the most talked about hat (it even has it's own haters facebook page) at the event, worn by Beatrice:

images courtesy of Getty, The BBC, The AP, The PA and The British Monarchy